Plus they are doing the soundtrack to Despicable Me. I don't know if I like the title track yet. Maybe I'm just not into self degradation right now...?
Also have you guys heard the new Uffie track NERD produced? It's a blonde chick talking about getting massively high at a party. WTF is wrong with people these days? That's not attractive no matter how much you digitize her voice. Didn't we learn from the techno era, and the 80's rock era, and NOW while rock stars are turning up dead all over the place from accidental overdoses? It's not entertainment ya'll. It's a death sentence. But I guess if the world is going to hell I'm glad to be the one holding the handbasket.
Monday, June 21, 2010
Tuesday, June 15, 2010
The Ettes Want YOU to direct a video
You direct and submit a video for Take it With You
(I will be)
Then submit on youtube and send it to them on facebook.
Fans win!
(I will be)
Then submit on youtube and send it to them on facebook.
Fans win!
Friday, May 21, 2010
The Black Keys - Brothers
I love this band. I even went to the listening party the week before to hear the album ahead of time (granted I think I was there more to hear The Dead Weather, but what a combo! BTW Thanks Amoeba Berkeley, because I won the grab bag of goodies).
Brothers is great. Classic Black Keys, more blues than rock, and an very very organic.
Howlin For You seems to be an ode to Howlin Wolf, which is a huge plus. Sinister Kid, Too Scared to Love You, The Go Getter, Tighten Up are my tops but this album does get a bit depressing at times, but to be fair it is the blues. That's the thing I love about The Black Keys, they pull out that grimy heart-wrenching ache that you're too afraid to admit even exists. (Go buy it!)
And seriously, you need to meet Frank. He's on match.com (lol)
I wanted love
But not for myself
But for the girl
So she could love herself
-Next Girl
Wednesday, May 19, 2010
Cyndi Lauper - Memphis Blues
How dope is it that Cyndie Lauper has a blues album coming out? I'm pretty excited, there is a sample of the first single out "Just Your Fool" which I enjoy. I'm hoping more will come out as we approach the release date. To hear it click here
Los Rakas - Soy Raka
I love this new video for Loa Rakas! What I love about it is they say that Turf Dancing is also big in Panama, so the link between East Oakland & Colon and the international connections they make with their music is DOPE! Check them out on Facebook Twitter and their website.
(they tend to offer free singles on their Twitter so you should def follow them @losrakas)
(they tend to offer free singles on their Twitter so you should def follow them @losrakas)
Monday, May 17, 2010
Saturday, May 15, 2010
Mos Dub - Max Tannone
You guys know I'm slightly obsessed with all things Mos Def (I think he got knocked off his pedastal by Jack White though) Anyway, This new mixtape by Max Tannone is Dope. Its all dub versions of his songs. And what's even better? It's FREE!!!
Download link here
Download link here
Holly Golightly & The Brokeoffs - You Can't Buy A Gun When You're Crying
Hey this album is great! It's so refreshing to hear some originality, kinda interesting to hear an English person's take on bluesy folk Southern music too. But lyrically, this is an A+ and I'm sad I slept on the album this long. The first song I heard by them I played sometime last year on the podcast is "Gettin High For Jesus" which I was waking up to every morning for a couple months is wonderful, happy and you can't help but get up and want to dance. Devil Do is an amazing opening song, and both that and Time to Go are now my favorites. Clean in Two, You Can't Buy A Gun (While Cryin) are classics too.
Granted you have to be into this type of music or open minded, but I LOVE it. To give you an idea, it's almost like a female Tom Waits.
get the album here
it will only be up for about 2 weeks after this post ;)
Granted you have to be into this type of music or open minded, but I LOVE it. To give you an idea, it's almost like a female Tom Waits.
get the album here
it will only be up for about 2 weeks after this post ;)
Wednesday, May 12, 2010
If you didn't know about the Nashville flood until the news covered it you should follow me on twitter
I was on it that Monday and this is why.
link to original article
Raul Malo, founder of country band The Mavericks and a widely respected singer and songwriter, opens up the case of his beloved 1962 Gibson J-45.
"What? Oh my god. How is that holding up?" Malo says in disbelief.
It's in one piece, but when Malo's guitar repairman turns it over, more than a gallon of water pours out of the sound hole onto the muddy floor.
"That's like my favorite acoustic," Malo says. "That's the one I was going: 'Please, if any acoustics make it, let it be that one.' Look at that. How is that possible?"
Malo and a friend try the soggy Gibson and a waterlogged acoustic bass.
"It kind of sounds good now," Malo says.
And his bass?
"Maybe that's what it needed. If I'd have known that, I would have dropped it in the Cumberland years ago," Malo says, laughing.
It's a rare light moment from a weekend of anguish for hundreds of Nashville musicians. The rest of Malo's collection didn't fare nearly as well as the Gibson. Guitar bodies have swollen up until their backs split in a lattice of cracks. Necks are twisted beyond repair.
"Last night, I was sitting there with my wife, listening to my new album, and I said, 'Those guitar sounds on this record, I will never be able to duplicate again because all of those guitars are gone,' " Malo says.
An Industry Shaken
One of the most devastating losses of historic instruments hit the Musicians Hall of Fame in a heartbreaking instance of bad timing. Less than two months ago, it was forced to store its collection after the city acquired its downtown property to make way for a new convention center. Lost in the flood: a Jimi Hendrix-owned Stratocaster guitar and the bass used in Hank Williams' "Your Cheating Heart." In all, the Soundcheck flood affected an estimated 600 musicians, from stars like Vince Gill to workaday professionals.
It's far more than just storage lockers. Soundcheck is a complex of repair shops, product representatives and rehearsal spaces where major country artists gear up for arena shows.
Last weekend, semitrailers idled at the loading docks while the crew for country band Rascal Flatts consulted with insurance adjusters and methodically photographed road cases full of instruments, wireless communication gear and racks of sound processors.
Soundcheck is also a so-called cartage company that delivers gear to the professional studio musicians when they arrive at recording sessions. That means a significant percentage of the great guitars in Music City were stored in the same place. And last week, that place was underwater.
A Community Shaken
Facility owner Ben Jumper acknowledges it's not comparable to the loss of lives and homes. But he says the community has been shaken by the destruction of so many fine and cherished instruments.
"I've seen tears. I've seen hugs," Jumper says. "I've seen real raw human emotion that will stay with me for the rest of my life."
At the same time, Jumper says it hasn't been a complete loss.
"Everybody thought that everything in Soundcheck was destroyed," Jumper says. "But a lot of people had shelving in their lockers and their equipment stayed above the waterline. From 3 1/2 feet down, it's tragic. It's horrific."
Jumper rented space at several nearby warehouses, where repair technicians set up a MASH unit for instruments. In one, a wide-open space hums with dehumidifiers drying out gear and guitars belonging to Peter Frampton, Keith Urban, John Hiatt, Lynyrd Skynyrd, John Fogerty and others. Guitarist Steve Farris, a session player and a former member of rock band Mr. Mister, surveyed his collection like a musical autobiography.
"That L5 over there I bought in 1975 when I graduated from high school and took it to the Berklee College of Music," Farris says. "I also took it to L.A. when I wanted to make it as a guitar player. I used to take that guitar down to Watts and sit in with jam sessions down there like an idiot white kid from the Midwest. But that guitar's been all over the place with me. So these guitars have history. That L5, I think, is gonna make it."
Most of his collection was not so fortunate. In general, however, guitar repairman Ed Beaver was somewhat cheered by the survival rate of the vintage instruments he'd worked on.
"If you want to go mathematical, I'd say about 10 percent of the stuff I have is tear-jerking," Beaver says. "About 60 percent of the stuff I have is going to be OK. It might bear the scars of the flood, but, hey, so do we."
Instruments are a category of loss unto themselves. They are not alive, but neither are they lifeless. For their players, they are extensions of their emotions and intimate companions. Years from now, many will say that in the storm of 2010, they didn't lose anybody, but they did lose close friends.
link to original article
Floods Wreak Havoc On Nashville Music Scene
Brent Ware inspects a 1952 Gibson Les Paul. The instrument had been kept at a Nashville-based storage facility called Soundcheck, which was flooded by the massive rainstorms last week. Jeff Gentner/Getty Images
The flooding in Tennessee last week took more than 20 lives and wrought billions in property damage. In Nashville, it also took a toll on the city's musical heritage and infrastructure. The Grand Ole Opry House was inundated. The Nashville Symphony lost two Steinways when its basement flooded. But the most concentrated instrument loss took place at a facility beside the Cumberland River called Soundcheck, where hundreds of the city's musicians stored their treasured instruments. Brent Ware inspects a 1952 Gibson Les Paul. The instrument had been kept at a Nashville-based storage facility called Soundcheck, which was flooded by the massive rainstorms last week.
Raul Malo, founder of country band The Mavericks and a widely respected singer and songwriter, opens up the case of his beloved 1962 Gibson J-45.
"What? Oh my god. How is that holding up?" Malo says in disbelief.
It's in one piece, but when Malo's guitar repairman turns it over, more than a gallon of water pours out of the sound hole onto the muddy floor.
"That's like my favorite acoustic," Malo says. "That's the one I was going: 'Please, if any acoustics make it, let it be that one.' Look at that. How is that possible?"
Malo and a friend try the soggy Gibson and a waterlogged acoustic bass.
"It kind of sounds good now," Malo says.
And his bass?
"Maybe that's what it needed. If I'd have known that, I would have dropped it in the Cumberland years ago," Malo says, laughing.
It's a rare light moment from a weekend of anguish for hundreds of Nashville musicians. The rest of Malo's collection didn't fare nearly as well as the Gibson. Guitar bodies have swollen up until their backs split in a lattice of cracks. Necks are twisted beyond repair.
"Last night, I was sitting there with my wife, listening to my new album, and I said, 'Those guitar sounds on this record, I will never be able to duplicate again because all of those guitars are gone,' " Malo says.
An Industry Shaken
One of the most devastating losses of historic instruments hit the Musicians Hall of Fame in a heartbreaking instance of bad timing. Less than two months ago, it was forced to store its collection after the city acquired its downtown property to make way for a new convention center. Lost in the flood: a Jimi Hendrix-owned Stratocaster guitar and the bass used in Hank Williams' "Your Cheating Heart." In all, the Soundcheck flood affected an estimated 600 musicians, from stars like Vince Gill to workaday professionals.
Enlarge Jeff Gentner/Getty Images Instruments weren't the only musical material possessions lost in last week's Nashville floods. Pictured here: Rascal Flatts tour trucks parked at Soundcheck's equipment storage facility.
Instruments weren't the only musical material possessions lost in last week's Nashville floods. Pictured here: Rascal Flatts tour trucks parked at Soundcheck's equipment storage facility.
Last weekend, semitrailers idled at the loading docks while the crew for country band Rascal Flatts consulted with insurance adjusters and methodically photographed road cases full of instruments, wireless communication gear and racks of sound processors.
Soundcheck is also a so-called cartage company that delivers gear to the professional studio musicians when they arrive at recording sessions. That means a significant percentage of the great guitars in Music City were stored in the same place. And last week, that place was underwater.
A Community Shaken
Facility owner Ben Jumper acknowledges it's not comparable to the loss of lives and homes. But he says the community has been shaken by the destruction of so many fine and cherished instruments.
"I've seen tears. I've seen hugs," Jumper says. "I've seen real raw human emotion that will stay with me for the rest of my life."
At the same time, Jumper says it hasn't been a complete loss.
"Everybody thought that everything in Soundcheck was destroyed," Jumper says. "But a lot of people had shelving in their lockers and their equipment stayed above the waterline. From 3 1/2 feet down, it's tragic. It's horrific."
Jumper rented space at several nearby warehouses, where repair technicians set up a MASH unit for instruments. In one, a wide-open space hums with dehumidifiers drying out gear and guitars belonging to Peter Frampton, Keith Urban, John Hiatt, Lynyrd Skynyrd, John Fogerty and others. Guitarist Steve Farris, a session player and a former member of rock band Mr. Mister, surveyed his collection like a musical autobiography.
"That L5 over there I bought in 1975 when I graduated from high school and took it to the Berklee College of Music," Farris says. "I also took it to L.A. when I wanted to make it as a guitar player. I used to take that guitar down to Watts and sit in with jam sessions down there like an idiot white kid from the Midwest. But that guitar's been all over the place with me. So these guitars have history. That L5, I think, is gonna make it."
Most of his collection was not so fortunate. In general, however, guitar repairman Ed Beaver was somewhat cheered by the survival rate of the vintage instruments he'd worked on.
"If you want to go mathematical, I'd say about 10 percent of the stuff I have is tear-jerking," Beaver says. "About 60 percent of the stuff I have is going to be OK. It might bear the scars of the flood, but, hey, so do we."
Instruments are a category of loss unto themselves. They are not alive, but neither are they lifeless. For their players, they are extensions of their emotions and intimate companions. Years from now, many will say that in the storm of 2010, they didn't lose anybody, but they did lose close friends.
Sea of Cowards
Is definitely worth the hype. The first song has Jack White quoted: The White girls trip when I sing at Sunday choir.
No really how awesome is that? There is clearly not enough of him on the album (which gives me more hope to the rumor about the White Stripes reunion) but it stands tall on it's own. Its moody in a different way than the last album, not as bluesy, but You can tell that's more of Mossharts influence. Die By The Drop/Gasoline/I Can't Hear You/No Horse are all pretty dope. Jack Lawrence is AMAZING on this one though. He really is the best bassist in the world. Ask your mother.
Just go buy it.
Yes I said BUY it. I was in line yesterday at the store to actually pay for music. That's how awesome this is.
No really how awesome is that? There is clearly not enough of him on the album (which gives me more hope to the rumor about the White Stripes reunion) but it stands tall on it's own. Its moody in a different way than the last album, not as bluesy, but You can tell that's more of Mossharts influence. Die By The Drop/Gasoline/I Can't Hear You/No Horse are all pretty dope. Jack Lawrence is AMAZING on this one though. He really is the best bassist in the world. Ask your mother.
Just go buy it.
Yes I said BUY it. I was in line yesterday at the store to actually pay for music. That's how awesome this is.
Monday, May 10, 2010
Tennessee Slim (after the flood)
So this is not music related, unless we talk about the historical nature of Blues and Country music in the fine state of Tennessee (which by the way is still dealing with a massive flood and would appreciate your help)
I made up this drink the other day, and it seems like something that would go great with listening to Memphis Minnie while sitting on the porch on a lazy Sunday afternoon.
1 700mL bottle of jack Daniels with 1/2 cup removed
3 cinnamon sticks
5 cloves
2 star anise pods
1/4 cup raw sugar.
mix all these in the bottle and recap. Let it sit for a week and enjoy this warm spicy drink by itself. It's awesome.
I made up this drink the other day, and it seems like something that would go great with listening to Memphis Minnie while sitting on the porch on a lazy Sunday afternoon.
1 700mL bottle of jack Daniels with 1/2 cup removed
3 cinnamon sticks
5 cloves
2 star anise pods
1/4 cup raw sugar.
mix all these in the bottle and recap. Let it sit for a week and enjoy this warm spicy drink by itself. It's awesome.
Thursday, May 06, 2010
this is a rumor
But Meg might be feeling better, and The White Stripes might be planning a reunion.
Omg I'm waaaaaaaaaaay too excited!
Omg I'm waaaaaaaaaaay too excited!
Muslim Roots in American Blues
This is one of the dopest articles I've read in a LONG time. It compares the vocal tones and pitch of traditional muslim music with that of slave era blues, it also compares guitar styles. This is SO amazing, produced by the Smithsonian.
Be sure to click on the songs, Athaan (Call to Prayer) and Levee Camp Holler and hear the similarities your self.
Thanks @SufiSal on twitter for this gem.
Muslim Roots in Blues
stay green.
Be sure to click on the songs, Athaan (Call to Prayer) and Levee Camp Holler and hear the similarities your self.
Thanks @SufiSal on twitter for this gem.
Muslim Roots in Blues
stay green.
Wednesday, March 31, 2010
Sunday, March 28, 2010
Busted
on the menu tonight:
the black keys
the gossip
paloma faith
madonna
controller 7
yeahhhh!
stay green.
v.
the black keys
the gossip
paloma faith
madonna
controller 7
yeahhhh!
stay green.
v.
Friday, March 26, 2010
Wednesday, March 17, 2010
Jay-Z Does Collabo WIth Jack White
According to multiple reports, Jay-Z has teamed up with Jack White (of the White Stripes) for a new collaboration. "I just did a record with Jay-Z," said White in an interview. "We did a song together a few weeks ago. It was incredible. I played him something that I've been kicking around for a while and he immediately came out with words for it. It's unbelievable-sounding." Although this didn't come to fruition, White and Jay-Z have admired each others work for some time - Jay-Z described White as a "renaissance man" in the autumn and White, returning the compliment, declaring the rapper as "just incredible" in January.
In related news, Jay-Z recently talked about wanting to experiment with his next album. "I've always said I believe in good music and bad music. ... I like music. The second Blueprint, the reason it was all over the place is because I like music so much. You have tracks with Lenny Kravitz then Sean Paul. Dr. Dre. It's all over the place because of my taste in music. I like music. My next album, which I'm working on now -- that's exclusive, no one knows that -- is gonna be the album that really -- it's not gonna be a number one album. That's where I'm at right now. I wanna make the most experimental album I ever made. But let's not deal with that now; I want to deal with The Blueprint 3."
Jay-Z - Interview (Collabs With Jack White Of White Stripes)
http://www.rapbasement.com/jay-z/031710-jay-z-does-a-new-collaboration-with-jack-white-of-the-white-stripes-watch-here.html
In related news, Jay-Z recently talked about wanting to experiment with his next album. "I've always said I believe in good music and bad music. ... I like music. The second Blueprint, the reason it was all over the place is because I like music so much. You have tracks with Lenny Kravitz then Sean Paul. Dr. Dre. It's all over the place because of my taste in music. I like music. My next album, which I'm working on now -- that's exclusive, no one knows that -- is gonna be the album that really -- it's not gonna be a number one album. That's where I'm at right now. I wanna make the most experimental album I ever made. But let's not deal with that now; I want to deal with The Blueprint 3."
Jay-Z - Interview (Collabs With Jack White Of White Stripes)
http://www.rapbasement.com/jay-z/031710-jay-z-does-a-new-collaboration-with-jack-white-of-the-white-stripes-watch-here.html
Sunday, March 14, 2010
I'm Baaaaaaaaaaaaaaaaaaaaaaack!
So I had to record my podcast on my phone in order to get this to the masses, but that's how dedicated I am. Now seriously the audio is sub par, but I really enjoy doing this podcast so I"m making it work, BUT Blackberry's are awesome and I can't believe I didn't think of this earlier. Without further delay:
On the menu tonight:
Emily Howell
Janis Joplin
The Black Keys
The White Stripes
The Black Keys/Mos Def/Jim Jones
dopeness and i'm JUST getting started
thanks for stickin with me.
stay greeeeeeen!
v.
On the menu tonight:
Emily Howell
Janis Joplin
The Black Keys
The White Stripes
The Black Keys/Mos Def/Jim Jones
dopeness and i'm JUST getting started
thanks for stickin with me.
stay greeeeeeen!
v.
Monday, March 08, 2010
Created By Artificial Intelligence
Emily Howell is a program
The office looks like the aftermath of a surrealistic earthquake, as if David Cope’s brain has spewed out decades of memories all over the carpet, the door, the walls, even the ceiling. Books and papers, music scores and magazines are all strewn about in ragged piles. A semi-functional Apple Power Mac 7500 (discontinued April 1, 1996) sits in the corner, its lemon-lime monitor buzzing. Drawings filled with concepts for a never-constructed musical-radio-space telescope dominate half of one wall. Russian dolls and an exercise bike, not to mention random pieces from homemade board games, peek out from the intellectual rubble. Above, something like 200 sets of wind chimes from around the world hang, ringing oddly congruent melodies.
And in the center, the old University of California, Santa Cruz, emeritus professor reclines in his desk chair, black socks pulled up over his pants cuffs, a thin mustache and thick beard lending him the look of an Amish grandfather.
It was here, half a dozen years ago, that Cope put Emmy to sleep. She was just a software program, a jumble of code he’d originally dubbed Experiments in Musical Intelligence (EMI, hence “Emmy”). Still — though Cope struggles not to anthropomorphize her — he speaks of Emmy wistfully, as if she were a deceased child.
Emmy was once the world’s most advanced artificially intelligent composer, and because he’d managed to breathe a sort of life into her, he became a modern-day musical Dr. Frankenstein. She produced thousands of scores in the style of classical heavyweights, scores so impressive that classical music scholars failed to identify them as computer-created. Cope attracted praise from musicians and computer scientists, but his creation raised troubling questions: If a machine could write a Mozart sonata every bit as good as the originals, then what was so special about Mozart? And was there really any soul behind the great works, or were Beethoven and his ilk just clever mathematical manipulators of notes?
Cope’s answers — not much, and yes — made some people very angry. He was so often criticized for these views that colleagues nicknamed him “The Tin Man,” after the Wizard of Oz character without a heart. For a time, such condemnation fueled his creativity, but eventually, after years of hemming and hawing, Cope dragged Emmy into the trash folder.
This month, he is scheduled to unveil the results of a successor effort that’s already generating the controversy and high expectations that Emmy once drew. Dubbed “Emily Howell,” the daughter program aims to do what many said Emmy couldn’t: create original, modern music. Its compositions are innovative, unique and — according to some in the small community of listeners who’ve heard them performed live — superb
more songs here
The office looks like the aftermath of a surrealistic earthquake, as if David Cope’s brain has spewed out decades of memories all over the carpet, the door, the walls, even the ceiling. Books and papers, music scores and magazines are all strewn about in ragged piles. A semi-functional Apple Power Mac 7500 (discontinued April 1, 1996) sits in the corner, its lemon-lime monitor buzzing. Drawings filled with concepts for a never-constructed musical-radio-space telescope dominate half of one wall. Russian dolls and an exercise bike, not to mention random pieces from homemade board games, peek out from the intellectual rubble. Above, something like 200 sets of wind chimes from around the world hang, ringing oddly congruent melodies.
And in the center, the old University of California, Santa Cruz, emeritus professor reclines in his desk chair, black socks pulled up over his pants cuffs, a thin mustache and thick beard lending him the look of an Amish grandfather.
It was here, half a dozen years ago, that Cope put Emmy to sleep. She was just a software program, a jumble of code he’d originally dubbed Experiments in Musical Intelligence (EMI, hence “Emmy”). Still — though Cope struggles not to anthropomorphize her — he speaks of Emmy wistfully, as if she were a deceased child.
Emmy was once the world’s most advanced artificially intelligent composer, and because he’d managed to breathe a sort of life into her, he became a modern-day musical Dr. Frankenstein. She produced thousands of scores in the style of classical heavyweights, scores so impressive that classical music scholars failed to identify them as computer-created. Cope attracted praise from musicians and computer scientists, but his creation raised troubling questions: If a machine could write a Mozart sonata every bit as good as the originals, then what was so special about Mozart? And was there really any soul behind the great works, or were Beethoven and his ilk just clever mathematical manipulators of notes?
Cope’s answers — not much, and yes — made some people very angry. He was so often criticized for these views that colleagues nicknamed him “The Tin Man,” after the Wizard of Oz character without a heart. For a time, such condemnation fueled his creativity, but eventually, after years of hemming and hawing, Cope dragged Emmy into the trash folder.
This month, he is scheduled to unveil the results of a successor effort that’s already generating the controversy and high expectations that Emmy once drew. Dubbed “Emily Howell,” the daughter program aims to do what many said Emmy couldn’t: create original, modern music. Its compositions are innovative, unique and — according to some in the small community of listeners who’ve heard them performed live — superb
more songs here
The Black Keys ft. Mos Def and Jim Jones - Hoochie Choo
Can it possibly get better than The Black Keys AND Mos Def?
no I don't think so (except maybe ?uestLove + Jack White)
Friday, February 19, 2010
Friday, February 12, 2010
Thursday, February 04, 2010
Friday, January 29, 2010
Tuesday, January 26, 2010
Sunday, January 24, 2010
I can't seem to fix my internet issue
Give me a while, I'll keep you entertained with youtubes, but something is wrong with my uploading. My microphone doesn't liek my new computer either, it's all haywire. I didn't just decide to stop though. SOOOOO much new music. I'll keep you posted.
Enjoy this Nat King Cole, I first heard it in Won Kar Wai's In The Mood For Love
Quizás Quizás Quizás
stay green.
v.
Enjoy this Nat King Cole, I first heard it in Won Kar Wai's In The Mood For Love
Quizás Quizás Quizás
stay green.
v.
Tuesday, January 05, 2010
Since all my interenets are messing up
I'll post some cool stuff and free music.
First, The Knux have a sampler 5 free songs from their album: "Fuck You". I was a fan of Bang Bang and Cappuchino, but I hope the content is better than the title. I"m Downloading it now, It's from Spin Mag.
There's a also a dope doc coming out about female hip hop. The trailer is posted on Vimeo, and now here
It's called The Revival
And Lastly I don't think I posted this before, but here's a link to a mash up mixtape called Wu Tang Clan - Enter The Dubstep
stay green.
v.
First, The Knux have a sampler 5 free songs from their album: "Fuck You". I was a fan of Bang Bang and Cappuchino, but I hope the content is better than the title. I"m Downloading it now, It's from Spin Mag.
There's a also a dope doc coming out about female hip hop. The trailer is posted on Vimeo, and now here
It's called The Revival
THE REVIVAL from EMERGENCE Media on Vimeo.
And Lastly I don't think I posted this before, but here's a link to a mash up mixtape called Wu Tang Clan - Enter The Dubstep
stay green.
v.
Monday, January 04, 2010
iHate
Oh how I hate Apple products. This may be th elast straw for me. I've been trying to transfer everything to a new computer and the transfer of playlists is VERY important tome. I mean you KNOW how much work they are, they are like records or journals. Anyway it's not working. I really did have 5 songs, but I'll have to set this up somehow through WinAmp for the next show. In fact I'm setting up my iPod through WinAmp instead of iTunes, until it dies and then I'm getting a different mp3 player. I'm sick of Apple.
So just be patient I'm working to get this last episode up.
Happy New Year!
So just be patient I'm working to get this last episode up.
Happy New Year!
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